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Arte egizia Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Codice: BM08315
Artista: Arte egizia
Titolo: Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

Arte egizia Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Codice: BM08315
Artista: Arte egizia
Titolo: Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Genere: Affresco
Periodo/Stile: Nuovo Regno (XVIII-XXV dinastia)
Ubicazione: British Museum
Genere: Affresco
Periodo/Stile: Nuovo Regno (XVIII-XXV dinastia)
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** The Rosetta Stone
Codice: BM00251
Artista: ********
Titolo: The Rosetta Stone
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** The Rosetta Stone
Codice: BM00251
Artista: ********
Titolo: The Rosetta Stone
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Codice: BM00176
Artista: ********
Titolo: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Codice: BM00176
Artista: ********
Titolo: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Codice: BM00174
Artista: ********
Titolo: The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Codice: BM00174
Artista: ********
Titolo: The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Codice: BM00175
Artista: ********
Titolo: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Codice: BM00175
Artista: ********
Titolo: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
Arte egizia A garden pool: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt18th Dynasty, around 1350 BCA. The pool is shown full of birds, lotus flowers and tilapia fish, while papyrus grows along the edge. Around the pool are palms, dom-palms, sycomore fig, mandrakes, and other bushes. In one corner is a tree in which the tree-goddess Hathor presents offerings to whoever was at the right of the scene, most likely Nebamun and Hatshepsut, his wife.In tombs of the Ramesside period (about 1295-1069 BC) the tree-goddess is often shown pouring life-giving water for the tomb-owner and his spouse; to judge from tombs of similar date to this one, Hathor can also function as a protector and provider to the deceased. The fish, birds and plants also act as rich symbols of rebirth and new life
Codice: BM08314
Artista: Arte egizia
Titolo: A garden pool: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt18th Dynasty, around 1350 BCA. The pool is shown full of birds, lotus flowers and tilapia fish, while papyrus grows along the edge. Around the pool are palms, dom-palms, sycomore fig, mandrakes, and other bushes. In one corner is a tree in which the tree-goddess Hathor presents offerings to whoever was at the right of the scene, most likely Nebamun and Hatshepsut, his wife.In tombs of the Ramesside period (about 1295-1069 BC) the tree-goddess is often shown pouring life-giving water for the tomb-owner and his spouse; to judge from tombs of similar date to this one, Hathor can also function as a protector and provider to the deceased. The fish, birds and plants also act as rich symbols of rebirth and new life
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

Arte egizia A garden pool: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt18th Dynasty, around 1350 BCA. The pool is shown full of birds, lotus flowers and tilapia fish, while papyrus grows along the edge. Around the pool are palms, dom-palms, sycomore fig, mandrakes, and other bushes. In one corner is a tree in which the tree-goddess Hathor presents offerings to whoever was at the right of the scene, most likely Nebamun and Hatshepsut, his wife.In tombs of the Ramesside period (about 1295-1069 BC) the tree-goddess is often shown pouring life-giving water for the tomb-owner and his spouse; to judge from tombs of similar date to this one, Hathor can also function as a protector and provider to the deceased. The fish, birds and plants also act as rich symbols of rebirth and new life
Codice: BM08314
Artista: Arte egizia
Titolo: A garden pool: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt18th Dynasty, around 1350 BCA. The pool is shown full of birds, lotus flowers and tilapia fish, while papyrus grows along the edge. Around the pool are palms, dom-palms, sycomore fig, mandrakes, and other bushes. In one corner is a tree in which the tree-goddess Hathor presents offerings to whoever was at the right of the scene, most likely Nebamun and Hatshepsut, his wife.In tombs of the Ramesside period (about 1295-1069 BC) the tree-goddess is often shown pouring life-giving water for the tomb-owner and his spouse; to judge from tombs of similar date to this one, Hathor can also function as a protector and provider to the deceased. The fish, birds and plants also act as rich symbols of rebirth and new life
Genere: Pittura
Periodo/Stile: Nuovo Regno (XVIII-XXV dinastia)
Ubicazione: British Museum
Genere: Pittura
Periodo/Stile: Nuovo Regno (XVIII-XXV dinastia)
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Bronze helmet
Codice: BM03445
Artista: ********
Titolo: Bronze helmet
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Bronze helmet
Codice: BM03445
Artista: ********
Titolo: Bronze helmet
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Codice: BM07383
Artista: ********
Titolo: EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Codice: BM07383
Artista: ********
Titolo: EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Codice: BM02275
Artista: ********
Titolo: Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Codice: BM02275
Artista: ********
Titolo: Stone panel from the North Palace of Ashurbanipal (Room H, nos. 7-9)
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Cattle brought for inspection: fragment of wall painting from the tomb of Nebamun, c.1350BC. Tomb of Nebamun. 18th Dynasty. 1350BC (circa)
Codice: BM09811
Artista: ********
Titolo: Cattle brought for inspection: fragment of wall painting from the tomb of Nebamun, c.1350BC. Tomb of Nebamun. 18th Dynasty. 1350BC (circa)
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Cattle brought for inspection: fragment of wall painting from the tomb of Nebamun, c.1350BC. Tomb of Nebamun. 18th Dynasty. 1350BC (circa)
Codice: BM09811
Artista: ********
Titolo: Cattle brought for inspection: fragment of wall painting from the tomb of Nebamun, c.1350BC. Tomb of Nebamun. 18th Dynasty. 1350BC (circa)
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Bronze figure of a running girl
Codice: BM03594
Artista: ********
Titolo: Bronze figure of a running girl
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Bronze figure of a running girl
Codice: BM03594
Artista: ********
Titolo: Bronze figure of a running girl
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'.  The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Codice: BM02327
Artista: ********
Titolo: Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'. The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'.  The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Codice: BM02327
Artista: ********
Titolo: Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'. The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
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