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Risultati ricerca - Ubicazione:British Museum, London, Great Britain
Immagini trovate: 8770
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******** The Rosetta Stone
Codice: BM00251
Artista: ********
Titolo: The Rosetta Stone
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** The Rosetta Stone
Codice: BM00251
Artista: ********
Titolo: The Rosetta Stone
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Bronze figure of a running girl
Codice: BM03594
Artista: ********
Titolo: Bronze figure of a running girl
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Bronze figure of a running girl
Codice: BM03594
Artista: ********
Titolo: Bronze figure of a running girl
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'.  The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Codice: BM02327
Artista: ********
Titolo: Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'. The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'.  The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Codice: BM02327
Artista: ********
Titolo: Seal of Adda (seal impression). Mesopotamia, Akkadian, about 2300-2200 BCE. It shows four of the principal Mesopotamian deities. The cuneiform inscription identifies the owner of the seal as Adda, who is described as dubsar, or 'scribe'. The figure with streams of water and fish flowing from his shoulders is Ea, god of subterranean waters and of wisdom, called Enki by the Sumerians. Behind Ea stands Usimu, his two-faced vizier (chief minister). Ishtar, the goddess of fertility (indicated by the cluster of dates) and war (the weapons rising from her shoulders) stands winged for victory. The sun-god Shamash (known to the Akkadians as Utu), who has rays rising from his shoulder, is busy cutting his way through the mountains in order to rise at dawn. The god armed with a bow and quiver has not been identified with certainty, but may represen
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Codice: BM00176
Artista: ********
Titolo: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Codice: BM00176
Artista: ********
Titolo: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes - 3/4 view
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Codice: BM00174
Artista: ********
Titolo: The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Codice: BM00174
Artista: ********
Titolo: The Standard of Ur, 'Peace' side. From Ur, southern Iraq, about 2600-2400 BCE. It was found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Maybe it was carried on a pole as a standard, or it formed the soundbox of a musical instrument. The main panels are known as 'War' and 'Peace'. The 'Peace' panel depicts animals, fish and other goods brought in procession to a banquet. Seated figures, wearing woollen fleeces or fringed skirts, drink to the accompaniment of a musician playing a lyre
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
Arte egizia Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Codice: BM08315
Artista: Arte egizia
Titolo: Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

Arte egizia Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Codice: BM08315
Artista: Arte egizia
Titolo: Fowling in the marshes: fragment of wall painting from the tomb of Nebamun. Thebes, Egypt, 18th Dynasty, around 1350 BCE. Nebamun stands on a small papyrus boat with his wife Hatshepsut behind him and his son below. The hieroglyphs below Nebamun's raised arm describe him as 'taking recreation and seeing what is good in the place of eternity', that is, in the Afterlife.The scene would have been balanced on the left by one of Nebamun spearing fish: the end of the spear where it enters the water is just visible
Genere: Affresco
Periodo/Stile: Nuovo Regno (XVIII-XXV dinastia)
Ubicazione: British Museum
Genere: Affresco
Periodo/Stile: Nuovo Regno (XVIII-XXV dinastia)
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Codice: BM07383
Artista: ********
Titolo: EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Codice: BM07383
Artista: ********
Titolo: EID MAR, the Ides of March, on a denarius of Marcus Junius Brutus. Roman. c.43-42BC
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Bronze helmet
Codice: BM03445
Artista: ********
Titolo: Bronze helmet
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Bronze helmet
Codice: BM03445
Artista: ********
Titolo: Bronze helmet
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Ceramic tile antefix, with inscription LEG XX and the emblem of that legion, a boar, Roman-Britain
Codice: BM02806
Artista: ********
Titolo: Ceramic tile antefix, with inscription LEG XX and the emblem of that legion, a boar, Roman-Britain
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Ceramic tile antefix, with inscription LEG XX and the emblem of that legion, a boar, Roman-Britain
Codice: BM02806
Artista: ********
Titolo: Ceramic tile antefix, with inscription LEG XX and the emblem of that legion, a boar, Roman-Britain
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** Foundation figure of Ur-Nammu, the ruler of Ur (about 2112-2095 BC). From Uruk, southern Iraq Third Dynasty of Ur, c. 2100-2000 BCE. The king is shown as a temple builder with a basket of earth to make bricks . It was made for burial in the foundations of a temple of Uruk. The cuneiform inscription around and over the king's body states that Ur-Nammu dedicated the figure to Inana (Ishtar), the patron deity of Uruk. It also records the restoration of her temple called Eanna 'the house of heaven'. Her name appears to mean 'the lady of heaven'. She was associated with the goddess Ishtar and the planet known to us as Venus
Codice: BM02215
Artista: ********
Titolo: Foundation figure of Ur-Nammu, the ruler of Ur (about 2112-2095 BC). From Uruk, southern Iraq Third Dynasty of Ur, c. 2100-2000 BCE. The king is shown as a temple builder with a basket of earth to make bricks . It was made for burial in the foundations of a temple of Uruk. The cuneiform inscription around and over the king's body states that Ur-Nammu dedicated the figure to Inana (Ishtar), the patron deity of Uruk. It also records the restoration of her temple called Eanna 'the house of heaven'. Her name appears to mean 'the lady of heaven'. She was associated with the goddess Ishtar and the planet known to us as Venus
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Foundation figure of Ur-Nammu, the ruler of Ur (about 2112-2095 BC). From Uruk, southern Iraq Third Dynasty of Ur, c. 2100-2000 BCE. The king is shown as a temple builder with a basket of earth to make bricks . It was made for burial in the foundations of a temple of Uruk. The cuneiform inscription around and over the king's body states that Ur-Nammu dedicated the figure to Inana (Ishtar), the patron deity of Uruk. It also records the restoration of her temple called Eanna 'the house of heaven'. Her name appears to mean 'the lady of heaven'. She was associated with the goddess Ishtar and the planet known to us as Venus
Codice: BM02215
Artista: ********
Titolo: Foundation figure of Ur-Nammu, the ruler of Ur (about 2112-2095 BC). From Uruk, southern Iraq Third Dynasty of Ur, c. 2100-2000 BCE. The king is shown as a temple builder with a basket of earth to make bricks . It was made for burial in the foundations of a temple of Uruk. The cuneiform inscription around and over the king's body states that Ur-Nammu dedicated the figure to Inana (Ishtar), the patron deity of Uruk. It also records the restoration of her temple called Eanna 'the house of heaven'. Her name appears to mean 'the lady of heaven'. She was associated with the goddess Ishtar and the planet known to us as Venus
Genere: Scultura
Periodo/Stile: Arte mesopotamica
Ubicazione: British Museum
Genere: Scultura
Periodo/Stile: Arte mesopotamica
Ubicazione: British Museum

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******** Black-figured Tyrrhenian amphora (wine-jar) attributed to the Timiades Painter
Codice: BM02150
Artista: ********
Titolo: Black-figured Tyrrhenian amphora (wine-jar) attributed to the Timiades Painter
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** Black-figured Tyrrhenian amphora (wine-jar) attributed to the Timiades Painter
Codice: BM02150
Artista: ********
Titolo: Black-figured Tyrrhenian amphora (wine-jar) attributed to the Timiades Painter
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Codice: BM00175
Artista: ********
Titolo: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Ubicazione: British Museum - Londra
Crediti: The Trustees of the British Museum c/o Scala, Firenze
Diritti e restrizioni

******** The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE.  Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Codice: BM00175
Artista: ********
Titolo: The Standard of Ur, 'War'. From Ur, southern Iraq, about 2600-2400 BCE. Found in one of the largest graves in the Royal Cemetery at Ur, lying in the corner of a chamber above the right shoulder of a man. Its original function is not yet understood. Leonard Woolley, the excavator at Ur, imagined that it was carried on a pole as a standard, hence its common name. Another theory suggests that it formed the soundbox of a musical instrument. When found, the two main panels, known as 'War' and 'Peace', had been crushed together by the weight of the soil, and the present restoration is only a best guess as to how it originally appeared. 'War' shows one of the earliest representations of a Sumerian army. Chariots, each pulled by four donkeys, trample enemies; infantry with cloaks carry spears; enemy soldiers are killed with axes
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum
Genere: Arti minori
Periodo/Stile: Arte sumero-accadica
Ubicazione: British Museum

Immagine disponibile in Italia, Spagna, Portogallo
Immagini trovate: 8770
Immagini visualizzate:   1-12 / 8770
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