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******** The Presentation in the Temple and the Flight to Egypt, painted and gilded by Melchior Broederlam, 1350-1409, on the back of the wings of the Crucifixion Altarpiece, 1390-99, originally in the Chartreuse de Champmol, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The altarpiece was commissioned in 1390 and installed in 1399 in the Chapel of the Duc de Berry at Champmol. Picture by Manuel Cohen
Codice: MC18594
Artista: ********
Titolo: The Presentation in the Temple and the Flight to Egypt, painted and gilded by Melchior Broederlam, 1350-1409, on the back of the wings of the Crucifixion Altarpiece, 1390-99, originally in the Chartreuse de Champmol, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The altarpiece was commissioned in 1390 and installed in 1399 in the Chapel of the Duc de Berry at Champmol. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** The Presentation in the Temple and the Flight to Egypt, painted and gilded by Melchior Broederlam, 1350-1409, on the back of the wings of the Crucifixion Altarpiece, 1390-99, originally in the Chartreuse de Champmol, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The altarpiece was commissioned in 1390 and installed in 1399 in the Chapel of the Duc de Berry at Champmol. Picture by Manuel Cohen
Codice: MC18594
Artista: ********
Titolo: The Presentation in the Temple and the Flight to Egypt, painted and gilded by Melchior Broederlam, 1350-1409, on the back of the wings of the Crucifixion Altarpiece, 1390-99, originally in the Chartreuse de Champmol, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The altarpiece was commissioned in 1390 and installed in 1399 in the Chapel of the Duc de Berry at Champmol. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Calvary with a Carthusian monk, with Christ on the cross and a kneeling monk representing the Chartreuse de Champmol, which commissioned the work, the Virgin Mary and St John the Baptist, by an unknown artist, after 1433, after Jean de Beaumetz, 1335-96, oil painting on wood, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting is a copy of one of a series painted in 1386 by Jean de Beaumetz to decorate the monks' cells. It may have been made to decorate new cells built in 1433 under Isabella of Portugal, wife of Philip the Good. Picture by Manuel Cohen
Codice: MC18593
Artista: ********
Titolo: Calvary with a Carthusian monk, with Christ on the cross and a kneeling monk representing the Chartreuse de Champmol, which commissioned the work, the Virgin Mary and St John the Baptist, by an unknown artist, after 1433, after Jean de Beaumetz, 1335-96, oil painting on wood, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting is a copy of one of a series painted in 1386 by Jean de Beaumetz to decorate the monks' cells. It may have been made to decorate new cells built in 1433 under Isabella of Portugal, wife of Philip the Good. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Calvary with a Carthusian monk, with Christ on the cross and a kneeling monk representing the Chartreuse de Champmol, which commissioned the work, the Virgin Mary and St John the Baptist, by an unknown artist, after 1433, after Jean de Beaumetz, 1335-96, oil painting on wood, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting is a copy of one of a series painted in 1386 by Jean de Beaumetz to decorate the monks' cells. It may have been made to decorate new cells built in 1433 under Isabella of Portugal, wife of Philip the Good. Picture by Manuel Cohen
Codice: MC18593
Artista: ********
Titolo: Calvary with a Carthusian monk, with Christ on the cross and a kneeling monk representing the Chartreuse de Champmol, which commissioned the work, the Virgin Mary and St John the Baptist, by an unknown artist, after 1433, after Jean de Beaumetz, 1335-96, oil painting on wood, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting is a copy of one of a series painted in 1386 by Jean de Beaumetz to decorate the monks' cells. It may have been made to decorate new cells built in 1433 under Isabella of Portugal, wife of Philip the Good. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** St George Altarpiece, by Henri Bellechose, 1415-45, oil painting on wood transposed onto canvas, painted originally to decorate the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The painting depicts St George killing the dragon (left), Christ on the cross with mourners and a kneeling donor, and the martyrdom of St George (right). Picture by Manuel Cohen
Codice: MC18592
Artista: ********
Titolo: St George Altarpiece, by Henri Bellechose, 1415-45, oil painting on wood transposed onto canvas, painted originally to decorate the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The painting depicts St George killing the dragon (left), Christ on the cross with mourners and a kneeling donor, and the martyrdom of St George (right). Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** St George Altarpiece, by Henri Bellechose, 1415-45, oil painting on wood transposed onto canvas, painted originally to decorate the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The painting depicts St George killing the dragon (left), Christ on the cross with mourners and a kneeling donor, and the martyrdom of St George (right). Picture by Manuel Cohen
Codice: MC18592
Artista: ********
Titolo: St George Altarpiece, by Henri Bellechose, 1415-45, oil painting on wood transposed onto canvas, painted originally to decorate the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The painting depicts St George killing the dragon (left), Christ on the cross with mourners and a kneeling donor, and the martyrdom of St George (right). Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Christ Blessing, detail of Christ's face, weeping and bleeding from the Crown of Thorns, oil painting on wood, early 16th century Portuguese painting by an unknown artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Codice: MC18591
Artista: ********
Titolo: Christ Blessing, detail of Christ's face, weeping and bleeding from the Crown of Thorns, oil painting on wood, early 16th century Portuguese painting by an unknown artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Christ Blessing, detail of Christ's face, weeping and bleeding from the Crown of Thorns, oil painting on wood, early 16th century Portuguese painting by an unknown artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Codice: MC18591
Artista: ********
Titolo: Christ Blessing, detail of Christ's face, weeping and bleeding from the Crown of Thorns, oil painting on wood, early 16th century Portuguese painting by an unknown artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Christ Blessing, detail of Christ's face, weeping and bleeding from the Crown of Thorns, oil painting on wood, early 16th century Portuguese painting by an unknown artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Codice: MC18590
Artista: ********
Titolo: Christ Blessing, detail of Christ's face, weeping and bleeding from the Crown of Thorns, oil painting on wood, early 16th century Portuguese painting by an unknown artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Christ Blessing, detail of Christ's face, weeping and bleeding from the Crown of Thorns, oil painting on wood, early 16th century Portuguese painting by an unknown artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Codice: MC18590
Artista: ********
Titolo: Christ Blessing, detail of Christ's face, weeping and bleeding from the Crown of Thorns, oil painting on wood, early 16th century Portuguese painting by an unknown artist, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Detail of Mary and Joseph presenting Jesus to a temple elder, from The Presentation in the Temple, painting c. 1440-50 by an unknown Burgundian artist, originally from the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The scene is set in the nave of the Eglise Notre-Dame in Dijon, and the kneeling donors are thought to be Hennequin de Fretin, sergeant at arms of Philip the Good, and his wife Jeanne de Presles. Picture by Manuel Cohen
Codice: MC18589
Artista: ********
Titolo: Detail of Mary and Joseph presenting Jesus to a temple elder, from The Presentation in the Temple, painting c. 1440-50 by an unknown Burgundian artist, originally from the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The scene is set in the nave of the Eglise Notre-Dame in Dijon, and the kneeling donors are thought to be Hennequin de Fretin, sergeant at arms of Philip the Good, and his wife Jeanne de Presles. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Detail of Mary and Joseph presenting Jesus to a temple elder, from The Presentation in the Temple, painting c. 1440-50 by an unknown Burgundian artist, originally from the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The scene is set in the nave of the Eglise Notre-Dame in Dijon, and the kneeling donors are thought to be Hennequin de Fretin, sergeant at arms of Philip the Good, and his wife Jeanne de Presles. Picture by Manuel Cohen
Codice: MC18589
Artista: ********
Titolo: Detail of Mary and Joseph presenting Jesus to a temple elder, from The Presentation in the Temple, painting c. 1440-50 by an unknown Burgundian artist, originally from the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The scene is set in the nave of the Eglise Notre-Dame in Dijon, and the kneeling donors are thought to be Hennequin de Fretin, sergeant at arms of Philip the Good, and his wife Jeanne de Presles. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** The Presentation in the Temple, painting c. 1440-50 by an unknown Burgundian artist, originally from the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The scene is set in the nave of the Eglise Notre-Dame in Dijon, and the kneeling donors are thought to be Hennequin de Fretin, sergeant at arms of Philip the Good, and his wife Jeanne de Presles. Picture by Manuel Cohen
Codice: MC18588
Artista: ********
Titolo: The Presentation in the Temple, painting c. 1440-50 by an unknown Burgundian artist, originally from the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The scene is set in the nave of the Eglise Notre-Dame in Dijon, and the kneeling donors are thought to be Hennequin de Fretin, sergeant at arms of Philip the Good, and his wife Jeanne de Presles. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** The Presentation in the Temple, painting c. 1440-50 by an unknown Burgundian artist, originally from the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The scene is set in the nave of the Eglise Notre-Dame in Dijon, and the kneeling donors are thought to be Hennequin de Fretin, sergeant at arms of Philip the Good, and his wife Jeanne de Presles. Picture by Manuel Cohen
Codice: MC18588
Artista: ********
Titolo: The Presentation in the Temple, painting c. 1440-50 by an unknown Burgundian artist, originally from the Chartreuse de Champmol, from the collection of the Musee du Louvre, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. The scene is set in the nave of the Eglise Notre-Dame in Dijon, and the kneeling donors are thought to be Hennequin de Fretin, sergeant at arms of Philip the Good, and his wife Jeanne de Presles. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Detail of the Virgin Mary from the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Behind, Joseph holds a lighted candle. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Codice: MC18587
Artista: ********
Titolo: Detail of the Virgin Mary from the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Behind, Joseph holds a lighted candle. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Detail of the Virgin Mary from the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Behind, Joseph holds a lighted candle. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Codice: MC18587
Artista: ********
Titolo: Detail of the Virgin Mary from the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Behind, Joseph holds a lighted candle. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Detail of the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Codice: MC18586
Artista: ********
Titolo: Detail of the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Detail of the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Codice: MC18586
Artista: ********
Titolo: Detail of the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Detail of the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Codice: MC18585
Artista: ********
Titolo: Detail of the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Detail of the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Codice: MC18585
Artista: ********
Titolo: Detail of the Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Codice: MC18584
Artista: ********
Titolo: Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Codice: MC18584
Artista: ********
Titolo: Nativity and Adoration of the Shepherds, oil painting on wood, 1420, by the Master of Flemalle, Robert Campin, 1375-1444, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. This painting depicts the birth of Christ and the Adoration of the Shepherds, with 2 midwives on the right and a choir of angels overhead. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
******** Crown made from non-precious materials, possibly used at the funeral of Philippe le Hardi (Philippe II, duc de Bourgogne) in 1404 or of Jean Sans Peur (Jean de Valois or Jean I duc de Bourgogne) in 1419, or from a statue of the Virgin, originally in the Chartreuse de Champmol, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Codice: MC18583
Artista: ********
Titolo: Crown made from non-precious materials, possibly used at the funeral of Philippe le Hardi (Philippe II, duc de Bourgogne) in 1404 or of Jean Sans Peur (Jean de Valois or Jean I duc de Bourgogne) in 1419, or from a statue of the Virgin, originally in the Chartreuse de Champmol, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Ubicazione: ******** - ********
Crediti: Manuel Cohen/Scala, Flirenze

******** Crown made from non-precious materials, possibly used at the funeral of Philippe le Hardi (Philippe II, duc de Bourgogne) in 1404 or of Jean Sans Peur (Jean de Valois or Jean I duc de Bourgogne) in 1419, or from a statue of the Virgin, originally in the Chartreuse de Champmol, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Codice: MC18583
Artista: ********
Titolo: Crown made from non-precious materials, possibly used at the funeral of Philippe le Hardi (Philippe II, duc de Bourgogne) in 1404 or of Jean Sans Peur (Jean de Valois or Jean I duc de Bourgogne) in 1419, or from a statue of the Virgin, originally in the Chartreuse de Champmol, in the Musee des Beaux-Arts de Dijon, opened 1787 in the Palace of the Dukes of Burgundy in Dijon, Burgundy, France. Picture by Manuel Cohen
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********
Genere: Non disponibile
Periodo/Stile: Non disponibile
Ubicazione: ********

Immagine disponibile in Italia e Gran Bretagna
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